This young adult novella (also appearing under the title A Very Long Way From Anywhere Else) is one of Le Guin's few published pieces of non-speculative fiction. Set in the Pacific Northwest, it follows a friendship between two gifted high school students. Owen wants to study at MIT and go into science, but he feels pressured by his parents to be a "normal" guy who likes cars and girls and goes to State; Natalie is a musical prodigy, but feels constrained in her options due to her conservative father and the lack of opportunities for female composers.

The book is very short but densely packed with close observations about the pressure to conform, not only the overt pressure to conform to positive expectations, but also the covert pressure to conform to negative stereotypes and sexist narratives about how guys and girls interact. It's incisive in its portrayal of being very smart but very young and knowing basically nothing about the world outside your home town, and taking a first shaky step towards a broader perspective.

Owen and Natalie reflect a specific kind of gifted experience that wasn't the same as mine. They're aware that they're different from others, but able to play the part of a kid who's kind of an overachiever but basically normal, well enough that they can hide in plain sight. Not that that makes things easy—it's hard to choose to be yourself when the safety of conformity is a real option.

Many synopses of this book say that Owen and Natalie develop romantic feelings for each other, but that is emphatically not what happens in the book. What the book actually says is this: "I had decided that I was in love with Natalie. I hadn't fallen in love with her, please notice that I didn't say that; I had decided that I was in love with her." Owen is very clear that he tries to force himself to be in love with her and to be sexually attracted to her because he thinks it's what other people expect of him. You don't have to read Owen as aroace, but that is a possible reading and I see a lot of my aroace experiences in him.

But even if you don't read it that way, the point of the book is that their connection is about who they are as specific people, and when Owen tries to make it conform to a generic "he was a boy, she was a girl" heteronormative narrative, that connection is almost destroyed. Some of the ideas Owen has already absorbed about hetero relationships at 17 are a little scary, I think intentionally so. He's at a crossroads where he can go down the path of seeing Natalie and other girls as people, or as objects of male conquest. I think it's a good example of using a male POV to demonstrate why all of us need feminism.

The book is really good and I'm not sure why Le Guin didn't write any more like it. Maybe in between other projects she didn't have the time. But this book makes it easy to imagine an alternate timeline where this was the genre where she found success, and came to be best remembered as one of the standout contemporary YA writers of the 1970s alongside Judy Blume.